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CHAPTER
1
Tristan
Mallory had practically been a prisoner in her home for
almost a year now. It was a self
imposed solitude. Many months ago
she had been the victim of an assault and rape.
It had happened after the Seattle concert where she had been the featured performer.
She was a classical pianist, highly praised in high
brow musical circles. Her talents
were in great demand - no small achievement at the ripe
old age of 24.
She
had been blessed with a natural talent and by the age of
six had begun to study music in a serious manner. By the time she was twelve years old, she had developed
a strong knowledge of musical theory and had
also excelled in vocal harmonics, particularly in
regard to choral pieces such as those written by one of
her favorite composers, Handel.
Her
upbringing had been an extremely strict one.
Only the classics and hymns were allowed to be played
or listened to in her house. Her
mother had died when she was very small.
Her overbearing father was what was referred to as
a “classical snob” and felt that all other music and musical
forms were practically pagan and of no use except, perhaps,
in strip clubs or orgiastic gatherings.
Although he would have preferred that one of his
sons had been born with the talent, it seemed that she was
the child destined to be burdened with the title “prodigy”.
Tristan
had been home schooled and had rarely left her fathers property,
a farm in Virginia called ‘White Fences’. She
really had no knowledge of popular music.
She caught snippets here and there, but even most
of that came courtesy of MUSAC piped into elevators and
waiting rooms. As bad as that was,
it fascinated her. When she was
eighteen, she entered Julliard on a full musical scholarship. A whole new world opened for her then and although she
was incredibly naive and innocent with virtually no “street
smarts”, she found that she was well liked and popular among
her peers. They teased her about
her innocence, both social and physical. She was a great target for pranksters. She believed almost anything. Doubt
hadn’t played a part in her past.
By
now she had become familiar with some of the popular music
of the day, such as numbers performed by groups such as
REM, Hootie and the Blowfish and
Garth Brooks as well as some she’d missed by artists like
Miles Davis, the Beatles and Crosby, Stills, Nash and Young.
CSNY were particularly fascinating to her because
they employed tight harmonies in their music - a technique
she’d grown to love.
One
of the classes she took was called “The Production and Business
of Music”. Students learned about
record companies and various labels and how money was spent
or how it was supposed to be spent. Tristan
learned about managers, promoters, publicists and producers. The production segments of the class were the most interesting
to her, though this interest did not lie in her area of
expertise, classical piano. That
was pretty much a one track wonder - no other instruments,
no vocals. If the acoustics were
right, if the piano had a good tone, if the recording equipment
was of quality and if the pianist had talent, you were virtually
guaranteed a decent track. That
wasn’t true with recordings that involved several instruments
and vocals. Many elements had to
come together to make it work and so it usually took many
attempts to achieve a satisfactory product.
One
of the guest speakers for her class had been a man named
Mutt Lange. He was a record producer
whose career had mainly lay in rock and roll but he had
recently started producing records for his wife, a country
music singer. Tristan’s classroom questions had been thought provoking
and had exhibited a curiosity and innate skill that students
rarely had. Tristan and Mutt often
spoke after class and one day he invited her to a studio
across town where she could see for herself how records
were made. He was working on a
track with a rock band - not her real interest- but she
found that she wanted to learn. Mutt
let her help mix the tracks and she found that she loved
it. Mutt discovered that she was
good at it, too. They kept in touch
professionally and personally when he left.
After graduation, she began her concert career as
a guest artist playing for several orchestras across the
country. Later, she was performing
solo concerts and was also directing
large choral groups for orchestral performances.
A
couple of years later, when Tristan was 24, the unthinkable
happened. She had been working
in a practice room at the concert venue.
The place was unusually empty because it was very
late, but it was secure and she felt safe.
The practice rooms were small and soundproof.
She had spoken to the two security guards when she
had arrived earlier.
When
the room suddenly darkened as she was changing her music,
her first thought was that of a power failure, but when
a hand suddenly covered her mouth and an arm came up across
her throat and around her neck, animal panic set in.
Tristan instinctively knew before it happened what
was to come. She found herself
thrown down on the hard tile floor, the wind completely
knocked out of her. Before she
could catch her breath, he was on top of her, covering her
mouth again, although he realized after a few moments that
the room was soundproof. He grinned
in the dark - that would make things more fun... She could
scream while he got off.
She
couldn’t see her assailant, but she could smell him.
He wore a sickly sweet cologne that reminded her
of fruit - a favorite cologne of one of the security guards.
Her innocence was taken in a matter of seconds and
she felt her body tear. He raped
her repeatedly and between the rapes, he beat her.
She couldn’t recall how many times he had penetrated
her, how many times he had slammed her against the floor
or how many times he had slapped her face or punched her
stomach. When she finally became
conscious again, she had been in the hospital for 6 days
and had been to surgery twice in order to correct internal
injuries. She had been terribly
hurt - her vaginal walls torn and her cervix bruised. There were teeth marks on her left breast. Her first sexual experience had been one of violence
and terror.
After
she regained consciousness, she seemed unable to speak and
catatonic. She remained that way
for two more months and then, even after she began to react
to things around her, she remained quiet and housebound
She hadn’t even tried to play the piano again.
Many nights were filled with terrible dreams of the
episode and she would wake up screaming, hyperventilating
and covered with sweat. Tristan
just sat in her small house almost without emotion – neither
sad nor happy. She wondered if she would ever feel safe again.
Chapter
2
People
she knew in the music business were concerned about her
reluctance to re-enter the world. One
of these people was Mutt. He understood
why she might not want to perform for awhile, but he hated
for her to abandon music altogether. He
was about to start production on an album and thought that
maybe he could kill two birds with one stone.
He really could use her expertise in harmonics and
sound mixing and this might help her find her way back to
the land of the living. He was
acquainted with the people he would be recording and knew
them to be easy going and hospitable. It would be a good place for her to begin again.
Mutt
called her one evening to propose his idea.
Tristan was hesitant. Although
she wasn’t particularly happy with her life now, it was,
at least, familiar. Besides, she didn’t know the people he would be working
with - a vocal group called the Backstreet Boys.
Not only had she spent most of her life drowning
in the classics, she had spent the last year avoiding music
altogether. She vaguely recalled
hearing the name Backstreet Boys before, but she had no
idea of what kind of music they made, who they were, how
many of them there were or even what they looked like.
She recalled seeing a video snippet of the group
on MTV a while back. The formidable
rhythms and vocals had caught her attention as she had passed
through the room, but the singers in the video were dressed
strangely and made up to look like monsters.
She was silent on the phone.
“Tristan?”,
Mutt asked. “Are you there?
What do you say?”
“I
don’t know Mutt.” she answered. “It’s been a long time...”
“Like
riding a bicycle, hon. Please - I could really use your
help. Wouldn’t you like to spend
a few weeks in Sweden and then change climates to Florida to finish up? It’ll be
a good change for you and if you absolutely hate it, you
can leave. Just give it a try, Tris -
please?”
Although
she had serious doubts about this, she had started to feel
like she was suffocating in her home. Maybe she did need a jump-start.
“I’ll
tell you what, Mutt,” she said. “Send me some CD’s of their stuff and the sheet music
of what they plan to record. Give
me a little time to look and listen and I’ll call you back.
When do you need an answer?”
“We
plan to start recording on Oct. 15,’” he answered.
I need to hear from you by the 8th.
I’ll overnight the music and CD’s and you call me
at this number when you make a decision.”
Mutt
gave Tristan his cell number and made her promise to keep
an open mind about all of this. His
package arrived the following day.
Tristan
spent the next few days listening to Backstreet Boys music.
She found her foot tapping and body moving to their
sounds which were generally both joyful and uplifting as
well as romantic and innocent. She
also liked the three voices that seemed to be
used in the solo parts.
One
was very melodic and fell into a mid-range with occasional
highs. Another was slightly uprange,
more nasal and sounded younger than the first but with more
of a guttural quality - a little more distinct and edgy
- not as soft as the first voice. The
third voice was raspy, soulful and slightly lower than the
first two. This was the voice of a screamer.
The
other two voices of the group, a high range falsetto and
a bass-baritone provided the support and ceiling which encapsulated
the mid-range sounds and made them one unit. Tristan liked what she heard and began to get excited. She spent some time studying the sheet music of the proposed
tracks for the new album. There
were about twenty selections although only twelve would
make the final cut. These songs were a little different than the ones she
had listened to. They were a little
harder, more sophisticated and wrenching.
She liked what she saw and decided to take the plunge
back into the music world.
Tristan
spent the next few days packing and trying to get some information
on these five guys she would be spending so much time with.
She found herself nervous about working with five
strangers, particularly after her terrible experience last
year. She knew in her head that
the vast majority of men were certainly not violent but
her heart had made her afraid and a little withdrawn.
She was a beautiful woman, but not in the least bit
vain and, despite the rape and the ‘male anxiety’ she carried
with her, she was still ignorant of many things and still
innocent due mostly to her overly protected youth and recent
self-imposed exile.
She
tried to gather information about the five group members
from friends and acquaintances she had known in the business.
By the time she had finished her ‘personality research’
on the guys, she had drawn several conclusions, shallow
as they may be. Nick, the blond
baby, was a pretty boy, childish, spoiled by the attention
and a prankster. Howie, the Latin, was quiet, had no discernable personality
and was wishy-washy. Brian, the
voice, was a choir boy, a religious zealot who had little
tolerance for fans. AJ, the wild one, was a sex maniac who smoked, drank
and had the largest libido east of the Mississippi. Last, but don’t you dare call him least, was Kevin,
the old man. He had been described
as sullen and serious - a quick tempered,
know it all, control freak.
Tristan
began to wonder if she had made a mistake.
She still had no idea of what these guys looked like.
Mutt had sent unlabeled CD’s and he had assumed that
she had seen pictures of the group. Tristan
hadn’t realized the popularity of this musical sensation
and hadn’t thought to glance at any teen magazine in the
country which was sure to contain loads of photos of these
media darlings. She boarded a plane
for Stockholm on Oct. 14.
Chapter
3
“Okay,
when is the ‘super sound mixer’ supposed to get here?”,
Kevin asked irritably. He was ready
to get started and wanted everything in place so they could
get going before attention spans started to lag.
“This isn’t very professional, Mutt.”,
he muttered.
“The
plane was delayed, but the cab is now on it’s
way,” Mutt answered.
Kevin
wasn’t totally appeased. Although he came across as a bad-ass, he wasa little shy about working with people he didn’t know.
He had never even heard of this guy, Tristan Mallory.
Tristan
arrived at the studio and rushed down the hallway, knowing
she was late. She entered the control
booth carrying copies of the sheet music Mutt mailed a week
earlier. Mutt and Max Martin, the
songwriter for many of the proposed tracks, were in the
musicians sound studio with headphones on listening to the
instrumental arrangements that were to back up the vocals
yet to be recorded. She paused
to look at the five figures whowere
standing in the recording studio directly in front of her.
She could identify them immediately, if only by the
process of elimination.
The
first and most clearly identifiable body belonged to AJ
McLean. His tatoos, sunglasses and jewelry gave him away almost immediately,
not to mention his sexual dance movements which were set
to the pencil drumming of the blond, Nick.
Nick looked innocent, although Tristan doubted that
he was. Howie was standing in a
corner, talking on a cell phone. His
wavy hair, olive skin and brown eyes told her that he must
be the Latin. That left the last two, Kevin and Brian. The shorter man walked over to the blond and started
swatting at his drumming fingers, laughing, which left the
tall, dark-haired one standing at the mike, studying the
sheet music with a slight frown on his face.
She concluded correctly that the shorter of the two
was Brian - the tall, brooding one, Kevin. They hadn’t seen her yet.
AJ
was the first to notice her. “Hey, baby!” he yelled, grinning. You
must be the girl the label sent over who’s gonna
“open” for us!”
Tristan
cringed. The double entendre was
unmistakable and deliberate. He
laughed at his own joke and Howie smacked him on the head,
continuing his phone conversation. Brian
just looked at her blankly, saying nothing while Nick rolled
his eyes and asked in a slightly exasperated tone, “Did
you want an autograph or something?”
The
tall dark one looked her up and down as if assessing her
worthiness and then said sarcastically, “Let us know when
the ‘Great Tristan Mallory’ arrives, will you?”
He has assumed that she worked in the studio offices,
probably answering the phones or fetching coffee.
As if to confirm her suspicions he added, “And could
you round us up some bottled water?”
Now
it was Tristan’s turn to roll her eyes.
“Oh brother, what have I gotten myself into?” she
thought and then decided to play along for a bit. She left the control room and went to find Kevin’s precious
water. She found water in the kitchen
fridge and returned with six bottles.
She entered the recording studio and began to pass
out the water. AJ gave her a hug,
Brian thanked her, Howie nodded, Nick shot her his famous
smile and Kevin continued to study the music, preoccupied.
Tristan walked back over to Nick and smiled ever
so sweetly.
“How
about that autograph?”, she asked in her southern accent.
“Hey,
you’re American! I thought you
were Swedish!” he answered, picking up a piece of paper
and a pen from a nearby table.
“From
Virginia.” she replied.
“What’s
your name, sweet thing?”, Nick asked, pen in hand.
Tristan
grinned to herself. “Tristan Mallory,” she said emphatically.
All
activity stopped in the recording booth, even Kevin’s studying.
Tristan looked around at five pairs of eyes, two
brown, two blue and one green, staring at her, mouths slightly
open. They had been expecting a
thirty - forty year old man, not a beautiful twenty-five
year old woman.
Tristan
Trilogy - Story I
"Will You Play for Me?"
is a work of fiction.
The characters and events portrayed are fictitious.
Any resemblance to real people or events is purely coincidental.
Copyright ©1999
All Rights Reserved
No part of this text may be copied or reprinted
without the author's permission.
~BEST VIEWED ON 800 X 600
SCREEN RESOLUTION~
Fiction by Grace
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